Visitors could navigate the space using virtual reality headsets, while an external LED wall displayed cinematic views of the environment alongside the avatars of those inside. Point-cloud scans stayed grainy and unfinished, treated as material rather than imagery, while the Biennale structure worked as a steady scaffold.

What began as documentation became a temporary commons. Visitors entered together, walking a shared fragment of a disappeared neighborhood. It was a multiplayer experience: those in the physical space could reunite in the virtual environment and explore it side by side.

In a city built on acceleration, the installation offered a quieter pace—a room to stand inside what is gone.